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Simon Thoumire

LATEST NEWS

World Premiere: Dà Chòmhlan-Ciùil De Cheathrar (Twa Quartets) at Aberdeen Art Gallery – 9 April 2026 – North Atlantic Fiddle Convention Teaser

I’m delighted to announce that my new commission Dà Chòmhlan-Ciùil De Cheathrar (Twa Quartets) will receive its premiere at a special Lunchbreak Concert in Cowdray Hall, Aberdeen, on Thursday 9 April as a teaser for the North Atlantic Fiddle Convention.

This piece has been an exciting creative challenge – it’s the first composition written specifically for two live quartets performing together on stage: a classical string quartet alongside a folk quartet. The work explores what happens when these two distinct musical traditions meet in real time, creating a sound world shaped by contrast, dialogue and connection.

The concert is part of the build-up to NAFCo 2026, as the North Atlantic Fiddle Convention celebrates its 25th anniversary in its home city of Aberdeen this June. I’m honoured to have been commissioned to create something that reflects NAFCo’s core values of cultural exchange and creative collaboration.

The piece will be brought to life by talented young musicians from across Scotland – a fitting tribute to a festival that has always championed emerging talent alongside established artists.

Details:

  • Date: Thursday 9 April 2026, 12.45pm–1.30pm
  • Venue: Cowdray Hall, Aberdeen Art Gallery
  • Admission: Pay what you can

If you’re in Aberdeen, come along for a taste of what promises to be a very special anniversary festival.

I am Disposed to Mirth – The Fiddle Music of Simon Thoumire by Patsy Reid

Many of the pieces on this album were originally written as part of The Scots Fiddle Collection, which was comissioned by Creative Scotland and premiered at the Scots Fiddle Festival in 2007. That project’s primary vision was to showcase the exceptional virtuosity and artistry of Scotland’s traditional musicians to a global audience, highlighting their technical mastery and interpretative depth that often goes unrecognised beyond traditional music circles. Following in the footsteps of composers like Bartók, Mahler, Dvořák, Kodály, and Beethoven – who drew upon their respective folk traditions – these works expand traditional Scottish dance music beyond its conventional 32-bar structure. The compositions take ancient Scottish tunes as their foundation and develop them into comtemporary concert works, creating a bridge between Scotland’s musical heritage and modern classical composition techniques. Simon’s subsequent works share this ethos, and each composition masterfully maintatins the essential character of traditional Scottish melodies, while allowing the music to evolve in new directions. This album represents a significant contribution to the contemporary Scottish fiddle repertoire, successfully blending traditional Scottish music with classical concerto form, whilst maintaining the characteristic spotaneity and ornamentation essential to Scottish fiddle performance practice. 

BUY THE ALBUM

Patsy Reid

From Perthshire, Patsy is a much-respected and versatile musician and this is reflected in the variety of work that she carries out as a performer, educator and composer/arranger. Soaking up traditional music as a youngster, whilst simultaneously benefiting from the technical and rigorous aspects of following a classical violin pathway has resulted in Patsy being ideally placed to tackle this kind of repertoire. Her sheer breadth of experience and musicality lends itself perfectly to Simon’s music, and she is proud to shine a light on some of the lessser-played and therefore lesser-known music from Scotland’s rich fiddle tradition. 

Patsy plays a James Briggs fiddle (1905) and a Hugh Cooper viola (1907)  

credits

released December 5, 2025

Patsy Reid – Fiddle and viola
Jack Smedley – Left-panned fiddle (track 2)
Alice Allen – Cello (tracks 3 & 9)
David Bowden – Double bass (track 3)
Seonaid Aitken – Left-panned fiddle (track 3)
Kristan Harvey – Right-panned fiddle (track 3)

Produced by Patsy Reid
Recorded, mixed and mastered by Stuart Hamilton at Castlesound 
Design by Somhairle Macdonald

New Christmas Single – Shandy and Mousetta’s Waltz

I’m delighted to share our new Christmas single, “Shandy and Mousetta’s Waltz”, performed by Simon Thoumire and Rory Matheson.

This waltz has a heartwarming story behind it. I wrote it for my friend Gillian Dunlop, inspired by her daughter Iona’s lovely gesture. When Iona goes out, she brings Gillian’s two teddy bears, Shandy and Mousetta, downstairs to keep her mum company. This simple, caring act captures what Christmas is truly about – looking after people and making sure no one feels alone.

I imagined Gillian and the teddy bears having their own little ceilidh whilst Iona is away – perhaps sharing a dance together in the sitting room!

About the Artists:

Simon Thoumire is a highly respected virtuoso English concertina player and past winner of the BBC Radio 2 Young Traditional Musician Award. An accomplished composer, he has created music for numerous projects and performed with many artists including Dave Milligan and Ian Carr. Simon is also the founder of Hands Up for Trad, which promotes Scottish music and culture through various projects, including the BBC Radio Scotland Young Traditional Musician Award and the Scots Trad Music Awards.

Assynt-born pianist Rory Matheson is quickly establishing himself as one of the most sought-after musicians in Scottish traditional music. Known for his dynamic yet sympathetic accompaniment, he is equally at home on stage and in the studio. A versatile arranger, composer and producer, Rory has collaborated with an impressive list of artists including Hannah Rarity, Gary Innes, Donald Shaw and Michelle McManus. He’s a founding member of folk band TRIP and regularly performs with FARA, The Madeleine Stewart Trio and the Ross Miller Band.

The single is available now, and we’d be delighted if you’d consider it for airplay this festive season.

Strathspey and Surreal Orchestra 15th November 2025

Four pieces performed by the Strathspey and Surreal Orchestra at the Scots Fiddle Festival on 15th November 2025 in Edinburgh. The pieces feature traditional and composed material – arranged by Simon Thoumire – the idea being to take old tunes and arrange them in new ways. The band on this recording are:

Patsy Reid
Benedict Morris
Edie Elliott 
Adam Sutherland
Rae Maciver
Rachel Henderson
Elisabet McConnell
Naomi Priestnall
Douglas Montgomery
Anika Thomas
Eryn Rae
Laura Wilkie

All arrangements by Simon Thoumire 2025
Find out more at www.simonthoumire.com

Ceilearadh – 3 brand new bagpipe sonatas premiered at Piping Live

I’m delighted to announce the premiere of my latest work, Ceilearadh, at the Piping Live Festival on Thursday 14th August at 1:30pm in the Bothy tent. This collection of three Highland Bagpipe Sonatas represents something genuinely new in the piping repertoire – extended compositions that bridge traditional and contemporary approaches whilst drawing deeply from our Gaelic heritage.

Special Thanks

I must begin by expressing my gratitude to Maoin nan Ealan Gàidhlig (the Gaelic Arts Fund) whose generous support made this project possible. Their funding allowed me to undertake essential research in South Uist, working alongside Gaelic speakers and tradition bearers to ensure these compositions are rooted in authentic cultural understanding.

My thanks also go to Mairi MacMillan, whose knowledge of traditional Gaelic culture and bird lore proved invaluable. Coming from an indigenous Gaelic family where birds were integral to daily life – marking seasons, protecting animals, and indicating appropriate times for harvesting around nesting patterns – Mairi shared not just the poetry itself, but the lived cultural context that gave these verses their meaning.

About Ceilearadh

Each sonata draws inspiration from historic Gaelic poetry about birds, creating a unique bridge between Scotland’s ancient literary traditions and contemporary musical expression. The three works – lasting 10-12 minutes each – are written from a bagpiper’s perspective but extend beyond conventional ceòl mòr, incorporating bagpipe techniques and movements in new ways.

The three sonatas are based on these traditional poems:

A’ Chearc (The Chicken)
Tog, tog, tog,
Tog an rud a dh’fhàg mi,
Ge beag an t-ugh, ge beag an t-ugh,
Tha stà ann, tha stà ann.

Rug, rug, rug a dhà,
Rug, rug, rug a dhà;
Gog, gog, gog, gog, gog, gog, gaog,
Beiridh mise h-uile là,
‘S cha bheir an crodh-laoigh.

A’ Bhuidheag (The Yellowfinch)
A Bhuidheag bhuidhe bhòidheach,
Bheir mise latha Dòmhnach
A’ sguabadh do sheòmair”,
Ars a’ chearc bhuidhe ghòrach.

An Trìlleachan san Tràigh (Oystercatcher on the Shore)
Och, is och, is och mo dhunaidh,
Mis an so an cois na tuinne,
Is mi gun bhuille de’n t-snàmh.

These compositions explore the intersection of nature, language, and music, translating the rhythms and calls of birds as captured in traditional Gaelic verse into extended musical forms. Whilst respecting the deep traditions of Highland piping, the works push creative boundaries to offer something genuinely fresh in the bagpipe literature.

The Performance

The premiere will feature three brilliant pipers, each performing one sonata:

  • Simon McKerrell performing A’ Bhuidheag
  • Fionnlagh Mac A Phiocair performing A’ Chearc
  • Bede Patterson performing An Trìlleachan san Tràigh

The performance follows a discussion about expanding piobaireachd’s horizons, hosted by Josh Dickson and Barnaby Brown, making it part of a broader conversation about the future of our piping traditions.

This event is free to attend with your festival day site ticket, taking place in the Bothy tent. I’m excited to share these new voices in Highland bagpipe music with you.

The premiere represents not just new compositions, but a methodology for creating contemporary work from traditional material that honours cultural origins whilst embracing creative innovation. It’s been a privilege to undertake this journey from the landscapes of South Uist to the stages of Glasgow, and I look forward to sharing Ceilearadh with the piping community.

Great news! Itealaich an Dòchais

I’m absolutely thrilled that PRS Foundation has supported my new clarsach concerto Itealaich an Dòchais (Flight of Hope) and the beautiful Gaelic language, helping me to promote this rich Scottish culture that means so much to me. This funding enables me to explore exciting new territory as a composer – combining electronic elements with traditional instruments for the first time, and learning to write specifically for the clarsach.

The support allows me to develop crucial skills in electronic manipulation and staging that will transform my future compositions. Beyond the technical development, this project celebrates how we all come from many different cultures in our makeup, and how we can welcome people from different backgrounds to our countries. The Turnstone’s migration story mirrors human journeys of hope and belonging.

Working with the RSPB adds an important environmental dimension, connecting music with conservation. PRS Foundation’s belief in this project gives me the confidence to push creative boundaries while honouring our musical heritage. This grant represents a pivotal moment in my artistic journey – enabling me to create music that speaks to both our past and our shared future.”

I gratefully acknowledge support from PRS Foundation.

Dol Fodha Na Grèine Crowdfunder

I’m excited to introduce “Dol fodha na grèine” (Gaelic for Sunset), a musical suite blending centuries-old Scottish tunes with new compositions. This project is created as a companion piece to Aly Bain’s groundbreaking “Follow the Moonstone,” celebrating its 30th anniversary. It’s a crowdfunder to raise £5000 to help with rehearsal costs to pay the musicians.

https://igg.me/at/dol-fodha-na-greine

Our new work brings together renowned musicians Dave Milligan (piano) and Alana MacInnes (bagpipes, whistle), along with a string quintet. Your support will directly fund the crucial rehearsals for our premiere performance at the Celtic Connections festival in January 2025. By contributing, you’ll help bring this unique celebration of Scottish culture to life, ensuring our musicians are fully prepared to showcase our rich musical heritage on an international stage, while honoring a pivotal work in Scottish traditional music.

What We Need & What You Get:

We’re aiming to raise £5,000 to support the final stages of our project. Here’s how your contribution will be used:
– £3,500 for musician fees during our rehearsal period in January
– £1,000 for venue rental and equipment
– £500 for promotional materials and documentation

Perks:
£10: Digital download of a single track from the rehearsal
£25: Early access to a rehearsal video clip + Your name listed as a supporter on our website
£50: All £25 perks + Digital sheet music + Digital booklet about the project’s music
£75: All £50 perks + A real postcard from South Uist, signed by Simon
£100: All £75 perks + Behind-the-scenes digital photo album + Personalized thank you email
£250: All £100 perks + Access to exclusive online Q&A + Digital certificate of appreciation
£500: All £250 perks + Signed digital poster + Virtual meet-and-greet with musicians

The Impact:
Your support will:
1. Create new Scottish music that respects tradition while being innovative
2. Give work to skilled Scottish musicians
3. Make a lasting piece of Scottish cultural heritage

https://igg.me/at/dol-fodha-na-greine

New album! Glasgow Concert by Simon Thoumire and Dave Milligan

I’ve just released a new album with pianist Dave Milligan. The second one in two years! Recorded in 2020 at Celtic Connections festival, just before lockdown was a thing and we all became distracted. It took til 2024 for the album to arrive. Both Dave and me are massive Moscow Art Trio fans and one of our favourite albums is their Hamburg Concert. We decided to name the album Glasgow Concert in homage to them.

The thing I like about this album is it features live versions of the tracks that were on our first two albums – The Big Day In and Third Fight Home. Typically when we record a new album the tracks haven’t been performed before and they start to change as soon as we play them live! These are these live versions plus 2 tracks which haven’t featured on any other albums!

The album has 9 tracks and last approx 35 minutes. You can read about the tracks here. (download). You can listen to the album on the link above and here.